Billy Lawson grew up just outside of Muscle Shoals next door to Junior Lowe and, like Junior, he had a guitar in his hand by the time he was six years old. Lowe became sort of his mentor (and guitar hero), and would allow him to sit-in with his band at local State Line clubs before he was out of grade school.
His Zip City neighborhood was also home to Earl 'Peanutt' Montgomery, the man whose career as a songwriter included a slew of top ten Country hits he penned for his main man George Jones... Billy was paying attention. The Music was in him, and he knew he had no choice but to follow where it might lead. While still in his teens, Billy and his band began working that same State Line dance hall circuit Junior had.
In his early twenties he got himself a job at Terry Woodford and Clayton Ivey's Wishbone Studios in Muscle Shoals, learning about songwriting from some of the best in the business. Billy and his band were still playing most nights out on the strip, which got them noticed by casting director Tonya Holly, who would hire them to appear in the Oscar winning film Blue Sky in 1994. Setting his sights on Nashville with stars in his eyes, it looked like he might have a shot at making it as a performer when he was signed by Epic Records... but Billy soon realized that wasn't going to happen.
His unique way with words caught the attention of Tree Publishing executive Don Cook, who signed Billy on as a staff songwriter in 1995. By the Summer of '96 Learning As You Go, a song Lawson co-wrote with Larry Boone, would top the Country charts for Rick Trevino. Within a few months, Trace Adkins would take another Lawson composition (this time written with John Schweers), I Left Something Turned On At Home, straight to number one. In just a few short years, Billy Ray Lawson had become an in-demand Music City songwriter, placing dozens of other songs on the charts. As the nature of the music business began to change in Nashville after the turn of the century, however, it would become ever more difficult to make a living as a songwriter in the digital age.
Billy Ray decided to stay closer to home...
The Shoals was his stomping grounds, and Lawson began hanging out with the man who had put the town on the map, Rick Hall. Over lunches at their favorite Italian restaurant, Billy just soaked it all in. He knew what he was called upon to do.
Opening his own Big Star Studio, Billy began producing a few records. After that, it seemed like things all began to fall into place. Wishbone Studio, which had been empty for years, became available and Lawson figured out a way to buy it. When Larry Rogers' Studio 19 was marked for demolition on Nashville's Music Row in 2015, Billy worked out a deal with Larry to install the studio's Trident 90 console at Wishbone. One of the first records cut there was Willie Hightower's great come-back album, Out Of The Blue. With the legendary Quinton Claunch on board as his executive producer, the album features some of the best songs Billy has ever written, like this one:
The first time we met Billy was when Reggie and Jenny Young brought us to Claunch Cafe in Tuscumbia so we could check out Johnny Belew's amazing cornbread salad. Billy invited us to visit Wishbone the next day, where he was in the process of cutting another come-back album of sorts, Darryl Worley's Second Wind: Latest & Greatest, with he and Darryl producing. The first single pulled from the album, co-written with the great Ed Hill, has become a breakthrough digital hit:
Billy Lawson and his band (now called 'Wishbone') are back out there performing locally in The Shoals area, to rave reviews. Performer, songwriter, producer, studio owner - it might seem like he had this whole music thing sewn up - but there was one thing missing... his own record label.
Not anymore. Along with partners Mike O'Rear and James Wright, Billy launched Muscle Shoals Recordings this past week with the release of their first single, Avalon:
A loving tribute to Rick Hall and all things Muscle Shoals, that's Junior Lowe and Travis Wammack on guitar there, folks and Clayton Ivey and Jim Whitehead on the keys, same as it ever was...
No comments:
Post a Comment